Amel Brahim-Djelloul


Amel Brahim-Djelloul, Soprano.

At the cross roads  of  cultures , soprano Amel  Brahi m-Djelloul  fascinates as  much as  she attracts  artists  from different backgrounds .

A graduate of  the CNSMD in Paris, as well as of  William Christe’s ” Jardin des  Voix”  and nominated in the “Lyrical  Revelation” category of the Victoires  de la Musique classique 2007, she quickly sang many roles  of the repertoire:  Susanna (Le Nozze di  Figaro) at Angers -Nantes  Opéra and at the Opéra de Lausanne, Pamina (Die Zauberflöte) and Despina (Così fan tutte) at the Opéra de Nice, Servilia (La clemenza di Tito) at the Opéra de Paris and the Festival d’Aix en Provence, but also The Princess (L’Enfant et les sortilèges ), Ninette (L’amour des trois oranges ) and Suor Genovieffa (Suor Angelica) at the Paris  Opera, the title role of  Messager’s Véronique at the Théâtre du Châtelet, Gabrielle (La Vie Parisienne) at Angers-Nantes Opera, Nanetta (Fal s taf f ) at the Théâtre des  Champs -Elysées, Adina (L’Elisir d’Amore) at the Avignon Opera, Hébé, Fatime and Phani (Les Indes  Galantes ) at the Bordeaux National Opera and the Concertgebouw in Bruges, or Drusilla, Amore and Valletto in various  productions of  L’Incoronazione di  Poppea (Paris  Opera, Théâtre des  Champs -Elysées, Berlin Staatsoper, Théâtre de la Monnaie in Brussels, Grand Théâtre de Genève, Opéras  de Lille and Dijon), to name a few.

Regularly invited by many orchestras  (Orchestre national  de France, National  Symphony Orchestra of Washington, Orchestre Philharmonique Royal de Liège, National Philharmonic Orchestra of  Ukraine, Orchestre Philharmonique de Strasbourg, Orchestre des  concerts  Pasdeloup, Orchestre Symphonique National Algérien, Orchestre national  d’Ile-de-France, Orchestre Philharmonique du Maroc…) and ensembles (Les  Arts Florissants , Le Poème Harmonique, Les  Paladins , Il  Caravaggio, 2E2M, Mezwej, Les  Talens Lyriques , Le Quatuor Debussy…), Amel Brahim-Djelloul  broadens each season her range of personal  projects  which often link East and West, such as the programs “L’Orgue du Sultan” (with Achéron and Sultan Veld), “Les 1001 Lunes de la Princesse Boudour”  (with Aymeric Lecerf and Nicolas Jouve), the “Populaires” recital (with Nicolas Jouve), “Canciones”  (with C Barré) as well as her Mediterranean programs  with the Amedyez Ensemble.

Her discography includes numerous opuses, like recitals  with pianists  Anne Le Bozec (“Les  1001 nuits” ) and Nicolas Jouve (“Populaires ” ), as well as a program of works from the Arab-Andalusian heritage (“Amel chante la Méditerranée” ) adapted by her brother, violinist and musicologist Rachid Brahim-Djelloul, and performed with the Amedyez Ensemble.