Amel Brahim-Djelloul, Soprano.
At the cross roads of cultures , soprano Amel Brahi m-Djelloul fascinates as much as she attracts artists from different backgrounds .
A graduate of the CNSMD in Paris, as well as of William Christe’s ” Jardin des Voix” and nominated in the “Lyrical Revelation” category of the Victoires de la Musique classique 2007, she quickly sang many roles of the repertoire: Susanna (Le Nozze di Figaro) at Angers -Nantes Opéra and at the Opéra de Lausanne, Pamina (Die Zauberflöte) and Despina (Così fan tutte) at the Opéra de Nice, Servilia (La clemenza di Tito) at the Opéra de Paris and the Festival d’Aix en Provence, but also The Princess (L’Enfant et les sortilèges ), Ninette (L’amour des trois oranges ) and Suor Genovieffa (Suor Angelica) at the Paris Opera, the title role of Messager’s Véronique at the Théâtre du Châtelet, Gabrielle (La Vie Parisienne) at Angers-Nantes Opera, Nanetta (Fal s taf f ) at the Théâtre des Champs -Elysées, Adina (L’Elisir d’Amore) at the Avignon Opera, Hébé, Fatime and Phani (Les Indes Galantes ) at the Bordeaux National Opera and the Concertgebouw in Bruges, or Drusilla, Amore and Valletto in various productions of L’Incoronazione di Poppea (Paris Opera, Théâtre des Champs -Elysées, Berlin Staatsoper, Théâtre de la Monnaie in Brussels, Grand Théâtre de Genève, Opéras de Lille and Dijon), to name a few.
Regularly invited by many orchestras (Orchestre national de France, National Symphony Orchestra of Washington, Orchestre Philharmonique Royal de Liège, National Philharmonic Orchestra of Ukraine, Orchestre Philharmonique de Strasbourg, Orchestre des concerts Pasdeloup, Orchestre Symphonique National Algérien, Orchestre national d’Ile-de-France, Orchestre Philharmonique du Maroc…) and ensembles (Les Arts Florissants , Le Poème Harmonique, Les Paladins , Il Caravaggio, 2E2M, Mezwej, Les Talens Lyriques , Le Quatuor Debussy…), Amel Brahim-Djelloul broadens each season her range of personal projects which often link East and West, such as the programs “L’Orgue du Sultan” (with Achéron and Sultan Veld), “Les 1001 Lunes de la Princesse Boudour” (with Aymeric Lecerf and Nicolas Jouve), the “Populaires” recital (with Nicolas Jouve), “Canciones” (with C Barré) as well as her Mediterranean programs with the Amedyez Ensemble.
Her discography includes numerous opuses, like recitals with pianists Anne Le Bozec (“Les 1001 nuits” ) and Nicolas Jouve (“Populaires ” ), as well as a program of works from the Arab-Andalusian heritage (“Amel chante la Méditerranée” ) adapted by her brother, violinist and musicologist Rachid Brahim-Djelloul, and performed with the Amedyez Ensemble.